Yes. It’s my second year as a conductor at the Opera School of France in Paris and my only chance at doing so comes when this year’s Symphony of St. Cecilia (The First) of St. Catherine (The Fifth) premiered at the Opera and has a very good chance at making the first of many of its three versions here. The new version will be available later on.
Why did I become a conductor
This has been my life’s project and I had been in Paris doing my own opera since the 1970s (I studied architecture at the University of London), when I started my career at an early age, and have already become a great composer within the orchestra at a really early age. In the year that I joined the orchestra, I wrote nine other pieces in all of the Opera. I also performed in a few more, but I always took the role of conductor, because I believe it gives me a real opportunity to express myself at the top of my game as a musician. I’ve had a great education as a graduate from Universitat Autonoma de Madrid in Spain and I’ve learnt so much, and I think it has helped me understand myself and to become a violinist. So this is a very important position, a position which I don’t want to miss. I just hope that my work can make a huge contribution in the orchestra if it doesn’t, I’ll take other career paths.
My final question is Can you continue to work with the orchestra for the next several weeks
In the meantime, my life will continue to go forward as I wish now.
Q Anecdotes from the Opera School of France’s Symphony of St. Catherine and St. Cecilia
I have no idea about the future of violin.
It will be difficult.
It is not easy, but I am sure of this. I am looking forward to the next two years for a great concert.
Very good I’ll not leave until it’s done.
-Anecdotes from the Opera School of France Orchestra of the Second Series
Q Why do you not play it
I have to do it
-Clemente and I talk about violin
Q What did you think of the opera’s performance at the Opera
It was wonderful. I love playing it
-My friend and I talk about it
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