Hermano It’s just your mouth and not anyone else. When I was younger, I did things that made it appear as a weird, mysterious, crazy feeling
When we were young, we were very interested in movies. Some people just watched our movies and thought, How do I say this in a way that doesn’t sound like me
When we were younger, we were really interested in the occult, which is a big part of our culture now. There’s definitely a certain amount of money involved because of all that stuff.
What did you love about all the puppets
Hermano People were surprised at our creations because of how we looked and what we did. Our characters look like their real selves I don’t think of any character like that. I think it’s quite cool to be able to have an alter ego.
So what’s your process of becoming a puppeteer
Hermano My journey with this stuff started with a lot of inspiration from real puppeteers like Taz in the late 70s. I remember Taz really being a kind of a puppet character because we were able to get an audience with just something that was real, something where he could look like any part of the world around him He was quite the human being, that was really cool.
When people see these puppets, what was the reaction to see the one with a sword
Hermano I didn’t think I would ever make an episode like that. I thought I would get a bit creative and see it made in this big style. I didn’t know if that would happen
You got to make a show out of puppets
Hermano I had to be a big fan of puppets for years. And I wasn’t sure how. And when I wrote the show, I wanted to make puppeteers that could go in different parts of the world. These puppets were very big and they could turn around any time But, for me it wasn’t the time to make them for that. It didn’t really feel my style I knew where I could do something better based on what I wanted out of it.
How long did you work on Mummy
Hermano For four years.
What did you hope to write with Mummy
Hermano I hope to write with a kind of ‘
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