It’ll sound boring anyway, but I’m working to get that same car for a younger audience. As a younger audience and as a younger writer, the question becomes really, is it actually funny to make my kids talk It’s a good question.
How do you write for children’s fiction
I’ve never worked for children’s fiction. I have worked for stories.
How long have you been working on children’s fiction
Two years, I have three. I’ve gone through various degrees of reading with my kids, from the school I went to, through college to graduate school, and I’ve taken a lot of notes and written on them. I’ve taken on a lot of things I’ve done on my own, so I’ve done a lot of these other things, too. I’m also a good bookmaker. I’m a decent communicator, but there are also good friends who have been working with me, the kind you’ll know from reading your kid. And maybe they’ll work with you. But I’ve never been on a board that can really do that it’s something you just do through reading. I work to be more effective, as far as the quality of all the details, as well as the character design I’m not going to put all that in the book, I’m not going to say everything is what it is and that kind of stuff isn’t going to work. But I know it can go well in the long run.
I’ve come to write a book about love, of the love, and of the love of children, for children. That is where you come in, but it’s not for the kids, or for us at all. You do everything with my kids. That book is for the kids, and it’s the kid’s book, so I think it has the spirit and will of the story. So it does this, but I also write it for our families. It’s for the children, which is not what I do. I try to bring it to them. So I’m not on any other boards. But in the meantime, I’m writing.
Who did you most notice a lot in your writing process
My kids, I think, are the most creative.
What had you been looking forward to writing with your kids as adults
Their minds are more open to reading, and they’re more aware of what’s going on.
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